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For Friday, March 30, 2001
Wild Times in the Irish West 03/30/01

By GORDON JONES

Special to The Telegram

The Lonesome West is not the place where buffalo roam. It is much more dangerous than that - the deepest reaches of County Galway on the far western frontier of Ireland. Playwright Martin McDonagh revisits the setting for The Beauty Queen of Leenane, a town of murderous violence where even the priest admits that God has no jurisdiction. You would certainly think twice about being given a home in Leenane.

A ferocious and ferociously funny caricature of rural Irish life, The Lonesome West opens with a return from a funeral. A pair of squabbling brothers (Kevin Lewis and Stephen Holmes) have just stuck their dad in the ground, as one of them indelicately puts it. Dad died by gunshot wound in a hunting accident - except that the accident, it emerges, was far from accidental.

The craggily expressive rustic set is a kitchen decorated with a row of cheap, devotional figurines, which one of the odd brothers collects. A woman's magazine is the only reading material in the family home.

Living in one another's pockets, the sexually repressed brothers channel their energies into quarrels, insults and petty acts of malice. Bickering eventually escalates into murderous confrontation with shotgun and knife, accompanied by a furious explosion of destructiveness. And, after the cathartic violence, the brothers go off for a pint, reconciled - until the next time.

In their mutual rivalry and reciprocal dependance, the two feuding siblings are splendidly enacted by Holmes and Lewis - as if they had been brothers all their lives.

On hand to interact with brothers Valene and Colman is a well- meaning whisky priest with a crisis of faith (Mike Coady) and a flirtatious, foul-mouthed but sentimental teenager (Jessica Natiuk), who earns pin money by making home deliveries of illegally distilled poteen.

Natiuk is bright, vivacious and labile in the role, with quick shifts of mood, while Coady's priest is pathetically vulnerable and hopelessly sincere. Within the violent domestic comedy of relations between the two brothers is sculpted a touching failed romance between knowing teenager and innocent priest.

The language of the piece is colourful, to say the least. Fecking is the commonest adjective. Action matches language. By close of play, the offstage body count is one dad, one dog (ears cut off and left to bleed to death), two parricides, two suicides, and a goalkeeper hospitalised by the town's delinquent, under-twelve, female soccer team.

Crafted by a playwright with a seriously violent and macabre imagination, this is knockabout Irish Gothic with a vengeance, with a little bit of Irish sentiment in the middle.

Directed by Kevin Lewis and designed by Clar Doyle, featuring Coady as Father Welsh, Holmes as Colman, Lewis as Valene, and Natiuk as Girleen, the Beothuck Street Players production of Martin McDonagh's The Lonesome West continues its run at the LSPU Hall at 8:30 p.m., closing with a Sunday matinee at 3:00 p.m.


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